"Stabat Mater: Cujus animam gementem" by Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino was released on January 10, 1995. Since Stabat Mater: Cujus animam gementem is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Rossini: Stabat Mater - Petite Messe Solennelle". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater: Cujus animam gementem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Cujus animam gementem by Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Maskerade-Suite: III. Mazurka | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | F Minor | 2 | 4A | 92 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Die Verleumdung, sie ist ein Lüftchen (La calunna è un venticello) (Basilio) | Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter | C Major | 3 | 8B | 106 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM |
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