Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, National Philharmonic Orchestra's 'Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro' came out on 1983. Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Trumpet Concertos". In this album, this song's track order is #10. Based on our statistics, Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Trumpet Concerto in E-Flat Major, Hob. VIIe:1: I. Allegro by Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, National Philharmonic Orchestra having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Rondeau from Abdelazar | Henry Purcell, Wynton Marsalis, Anthony Newman, English Chamber Orchestra | D Minor | 3 | 7A | 102 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 124 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Oboe Concerto in C Major, Hob.VIIg:C1: II. Andante | Joseph Haydn, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | F Major | 0 | 7B | 71 BPM | ||
Fuchsia | Wynton Marsalis | B Major | 1 | 1B | 174 BPM | ||
Introduction and Variations on a Swedish Song for Clarinet and Orchestra, Op. 12 | Bernhard Henrik Crusell, Martin Fröst, Royal Stockholm Philharmonic Orchestra | B♭ Major | 2 | 6B | 141 BPM | ||
Ellens Gesang III, Op. 52, No.6, D 839: Ave Maria In B Flat Major (Arr. For Violin And Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | A Major | 1 | 11B | 134 BPM |
Section: 0.6368851661682129
End: 0.6416633129119873