"Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament)" by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1989. With this song being about 5 minutes long, at 4:57, "Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament)" by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites Nos.1 & 2; From Holberg's Time; Sigurd Jorsalfar" album is number 5 out of 16. Based on our statistics, Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No.2, Op.55: 1. The Abduction (Ingrid's Lament) by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 149 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 3. Adagio molto espressivo | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |
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