Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky's 'Strauss, Johann II: Champagner-Polka, Op. 211' came out on January 30, 2012. The duration of Strauss, Johann II: Champagner-Polka, Op. 211 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Strauss, Johann II: Champagner-Polka, Op. 211's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Strauss II: Champagner Polka - Die schönsten Polkas / Best Loved Polkas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The popularity of Strauss, Johann II: Champagner-Polka, Op. 211 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, Johann II: Champagner-Polka, Op. 211 by Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky having a BPM of 201 with a half-time of 100 BPM and a double-time of 402 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Minuet in G Major, WoO 10, No. 2 | Ludwig van Beethoven, I Musici | G Major | 1 | 9B | 95 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Habsburg Hoch!, Op. 408: March | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 2 | 5B | 119 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) | Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 1 | 9B | 137 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, National Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 119 BPM |
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