"Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum (Ps. 112/113)" by Wolfgang Amadeus Mozart, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier was released on January 1, 1993. The duration of Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum (Ps. 112/113) is about 3 minutes long, at 3:27. Based on our data, "Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum (Ps. 112/113)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Edith Mathis, Jadwiga Rappe, Hans Peter Blochwitz, Thomas Quasthoff, MDR Leipzig Radio Chorus, Gert Frischmuth, Staatskapelle Dresden, Peter Schreier's "Krönungsmesse C-Dur KV 317 (Eloquence)" album is number 10 out of 16. On top of that, Netherlands appears to be the country where this track was created. Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum (Ps. 112/113) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum (Ps. 112/113) by Wolfgang Amadeus Mozart, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione | Wolfgang Amadeus Mozart, Glenn Gould | F Major | 1 | 7B | 77 BPM | ||
Serenade in D, K.250 "Haffner": 4. Rondo (Allegro) | Wolfgang Amadeus Mozart, Iona Brown, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 141 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro | Yehudi Menuhin | C Major | 2 | 8B | 74 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Concertino for Clarinet & Bassoon in B-Flat Major, Op. 47: II. Andante moderato | Franz Danzi, Eduard Brunner, Klaus Thunemann, Munich Chamber Orchestra, Hans Stadlmair | E♭ Major | 0 | 5B | 92 BPM |
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