"L'Ascension: II. Alleluias sereins d'une ame qui desire le ciel" by Olivier Messiaen, Polish National Radio Symphony Orchestra, Antoni Wit was released on September 7, 2000. L'Ascension: II. Alleluias sereins d'une ame qui desire le ciel is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Olivier Messiaen, Antoni Wit's "Messiaen: Turangalila Symphony / L'Ascension" album is number 5 out of 14. L'Ascension: II. Alleluias sereins d'une ame qui desire le ciel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Ascension: II. Alleluias sereins d'une ame qui desire le ciel by Olivier Messiaen, Polish National Radio Symphony Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Livre du Saint Sacrement: XIII. Les deux murailles d'eau | Olivier Messiaen, Loïc Mallié | F♯ Major | 1 | 2B | 175 BPM | ||
Visions Fugitives, Op. 22: 7. Pittoresco | Sergei Prokofiev, Anna Gourari | D Major | 0 | 10B | 78 BPM | ||
Six Encores: Erdenklavier | Luciano Berio, Andrea Lucchesini | C Minor | 0 | 5A | 175 BPM | ||
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
Gurrelieder / Pt. 1: I. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
Études, Book 1: No. 4, Fanfares | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 2 | 3B | 119 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM |
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