Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus)' came out on October 1, 2019. With Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Goldberg Variations In G Major BWV 988, Aria With 30 Variations, Goldberg Variationen, G Dur BWV 988, Aria Mit 30 Veränderungen : Aria | Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink | D Major | 0 | 10B | 77 BPM | ||
Matthäus Passion, Parte Seconda: 48. Recitative (Soprano): Er Hat Uns Allen Wohlgetan | Stephen Cleobury, Rogers Covey-Crump, Choir of King's College, Cambridge, Johann Sebastian Bach, Martyn Hill, Emma Kirkby, Michael George, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Mass in B Minor, BWV 232: Gloria. Qui sedes ad dextram Patris (Alto) | Johann Sebastian Bach, Robin Blaze, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 1 | 3B | 180 BPM | ||
St. Matthew Passion, BWV 244, Part I: No. 9, "Aber am ersten Tage" (Evangelista) - No. 9b, "Wo willst du, daß wir dir bereiten" (Chorus I) - "Er spracht" (Evangelista, Jesus) - "Und sie wurden sehr betrübt" (Evangelista) - "Herr, bin ich's" (Chorus) | Johann Sebastian Bach, Werner Güra, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | B♭ Minor | 1 | 3A | 75 BPM | ||
I. Orchestersuite BWV 1066: Forlane - Live | Rudolf Lutz, Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Ulrike Hofbauer, Alex Potter, Makoto Sakurada, Wolf Matthias Friedrich | D Major | 0 | 10B | 102 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
Elijah, Op.70, MWV A25 - German Text / Part 2: No.35: "Seraphim standen über ihm" - "Heilig, heilig, heilig" | Felix Mendelssohn, Gisela Schröter, Annelies Burmeister, Elly Ameling, Renate Krahmer, MDR Leipzig Radio Chorus, Gewandhausorchester, Wolfgang Sawallisch | D Major | 4 | 10B | 102 BPM | ||
Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 3. Chorus: Kommt, eilet und laufet | Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh | D♭ Major | 2 | 3B | 172 BPM |
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