"Addio del passato" by Natalie Choquette was released on August 22, 1995. The duration of Addio del passato is about 3 minutes long, at 3:14. Based on our data, "Addio del passato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Natalie Choquette's "La Diva" album is number 10 out of 13. Addio del passato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Addio del passato by Natalie Choquette to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM | ||
Madrigal Madrigal | Fanny Hearst | E Minor | 2 | 9A | 107 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Misatango, Misa a Buenos Aires: XIV. Agnus Dei | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 1 | 8B | 90 BPM | ||
Isabeau s'y promène | Natalie Choquette | D Minor | 3 | 7A | 81 BPM | ||
Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D Major | 0 | 10B | 93 BPM |
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