"Der Freischütz, J. 277 / Act 1: "Was gibt's hier?"" by Carl Maria von Weber, Gerd Biewer, Peter Hölzel, Hans Jörn Weber, Gerhard Paul, Alfred Woronetzki, Monika Hildebrand, Use Rainer, Gerlind Schulze was released on January 1, 1973. The duration of Der Freischütz, J. 277 / Act 1: "Was gibt's hier?" is about 3 minutes long, at 3:23. Based on our data, "Der Freischütz, J. 277 / Act 1: "Was gibt's hier?"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #3 out of 30 tracks. In terms of popularity, Der Freischütz, J. 277 / Act 1: "Was gibt's hier?" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Der Freischütz, J. 277 / Act 1: "Was gibt's hier?" by Carl Maria von Weber, Gerd Biewer, Peter Hölzel, Hans Jörn Weber, Gerhard Paul, Alfred Woronetzki, Monika Hildebrand, Use Rainer, Gerlind Schulze has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Freischütz, J. 277 / Act 1: "Was gibt's hier?" being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | G Major | 0 | 9B | 139 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" | Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 84 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde | Ludwig van Beethoven, Peter Mattei, Christof Fischesser, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Rachel Harnisch, Christoph Strehl, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | D Major | 0 | 10B | 177 BPM | ||
Die Walküre / Erster Aufzug: "Kühlende Labung gab mir der Quell" | Richard Wagner, James King, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | F Major | 0 | 7B | 88 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 2. Romanze (Ziemlich langsam) | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 105 BPM | ||
Symphony No.4 In F Minor, Op.36, TH.27: 3. Scherzo. Pizzicato ostinato - Allegro | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | C Major | 1 | 8B | 150 BPM |
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