- BPM
- 177
- Key
- D Major
- Camelot
- 10B
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" - Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti Information
- Acousticness
- 97%
- Danceability
- 18%
- Energy
- 4%
- Instrumentalness
- 1%
- Liveness
- 11%
- Loudness
- 46%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 22%
- Loudness
- -32.191 dB
Summary
"Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia"" by Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. The duration of Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #16. The popularity of Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" BPM
With Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" by Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Carmina Burana / 3. Cour d'amours: "Dies, nox et omnia" Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il Barbiere di Siviglia (1996 Digital Remaster): Ah, qual colpo inaspettato! (Figaro/Conte/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 2 | 7B | 134 BPM | |
 | Palestrina, WoO17, Pt. 3, Scene 1: Wie lange sie bleiben (Choristers/Palestrina/Ighino) | Hans Pfitzner, Staatskapelle Dresden, Peter Schreier, Carola Nossek, Heinz Reeh, Olaf Bär, Peter Menz, Peter Bindszus, Dario Süss | F♯ Major | 1 | 2B | 83 BPM | |
 | Die Fledermaus / Act 3: Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande" | Johann Strauss II, Lucia Popp, Evi List, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 102 BPM | |
 | Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | |
 | L'Africaine / Act 4: "Pays Merveilleux ... O Paradis" | Giacomo Meyerbeer, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | F♯ Major | 2 | 2B | 66 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | |
| Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | |
 | La Bohème / Act 4: "In un Coupé?....O Mimi, tu piu non torni" | Giacomo Puccini, Ettore Bastianini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | C Major | 2 | 8B | 171 BPM | |
 | Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | |
 | Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8516273498535156
End: 0.8559458255767822