Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson) - Edward Elgar, Ashley Wass Information

Acousticness: 99%
Danceability: 46%
Energy: 0%
Instrumentalness: 86%
Liveness: 14%
Loudness: 49%
Speechiness: 6%
Valence: 9%
Popularity: 9%
Loudness: -30.461 dB

Summary

"Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson)" by Edward Elgar, Ashley Wass was released on September 26, 2006. The duration of Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson) is about 3 minutes long, at 3:09. Based on our data, "Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 25 in Elgar: Piano Music by Edward Elgar. Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson) BPM

The tempo marking of Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson) by Edward Elgar, Ashley Wass is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 12: B. G. N. (Basil G. Nevinson) Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)	Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips	A Major	0	11B	79 BPM
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace)	Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda	D Major	1	10B	107 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses	François Couperin, Alexandre Tharaud	B♭ Major	1	6B	111 BPM
The Birds, P. 154: V. The Cuckoo (Il cuccù)	Ottorino Respighi, Orpheus Chamber Orchestra	A Major	0	11B	118 BPM
Carnival of the Animals, R. 125: XIII. The Swan	Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	79 BPM
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro"	Franz Liszt, William Wolfram	D♭ Major	1	3B	69 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
Elgar: Chanson de matin, Op. 15 No. 2	Edward Elgar, Andrew Davis, BBC Symphony Orchestra	G Major	1	9B	92 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
Après un Rêve Op.7, No.1	Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa	F Minor	1	4A	96 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7224678993225098

End: 0.7261886596679688