Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) - Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock Information

Acousticness: 97%
Danceability: 16%
Energy: 2%
Instrumentalness: 0%
Liveness: 10%
Loudness: 55%
Speechiness: 5%
Valence: 9%
Popularity: 7%
Loudness: -26.771 dB

Summary

"Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto)" by Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock was released on January 1, 1997. With Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Stabat mater; Nisi Dominus; Salve Regina by Antonio Vivaldi, Michael Chance, Monica Huggett, Lisa Beznosiuk, The English Concert, Trevor Pinnock. The song's track number on the album is #28 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) BPM

Since Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) by Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) Key

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Sonata in G Minor, Op. 65: III. Largo	Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel	B♭ Major	0	6B	89 BPM
13 Pieces, Op. 76: No. 2. Etude	Jean Sibelius, Olli Mustonen	G Major	1	9B	92 BPM
Chopin: Ballade No. 1 in G Minor, Op. 23	Frédéric Chopin, Alexandre Tharaud	G Minor	2	6A	69 BPM
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe	George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields	D Major	2	10B	115 BPM
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht	Bedřich Smetana, Jitka Čechová	A♭ Minor	2	1A	76 BPM
Recorder Concerto in C Minor, RV 441 (Rev. ed. D. Laurin): I. Allegro non molto	Antonio Vivaldi, Dan Laurin, Jonas Nordberg, Anna Paradiso, 1B1, Jan Bjøranger	B Minor	1	10A	87 BPM
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro	Baroque Festival Orchestra, Alberto Lizzio	E Major	0	12B	87 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1	Felix Mendelssohn, Péter Nagy	E♭ Major	0	5B	68 BPM
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	A Major	1	11B	0 BPM
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	1	8B	79 BPM

ISRC: DEF059504925
Label: L-M Records/RCA Records

Section: 0.7748312950134277

End: 0.7786903381347656