"Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra)" by Tomaso Albinoni, Maurice André, Jesús López-Cobos, London Philharmonic Orchestra was released on August 2, 2019. The duration of Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice André's "Les 100 chefs-d'œuvre de la trompette" album is number 21 out of 100. In terms of popularity, Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra) by Tomaso Albinoni, Maurice André, Jesús López-Cobos, London Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In D Minor: III. Allegro | Tomaso Albinoni, Instrumental, Brynjar Hoff, Ian Watson, English Chamber Orchestra | F Major | 1 | 7B | 109 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Paolo Grazzi, Giovanni Antonini | A Major | 0 | 11B | 74 BPM |
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