- BPM
- 95
- Key
- B Minor
- Camelot
- 10A
Saint-Saëns: Carnival of the Animals, R. 125: Finale poem - Camille Saint-Saëns, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra Information
- Acousticness
- 75%
- Danceability
- 78%
- Energy
- 9%
- Instrumentalness
- 0%
- Liveness
- 6%
- Loudness
- 58%
- Speechiness
- 85%
- Valence
- 79%
- Popularity
- 0%
- Loudness
- -24.935 dB
Summary
Camille Saint-Saëns, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra made "Saint-Saëns: Carnival of the Animals, R. 125: Finale poem" available on September 29, 2017. With Saint-Saëns: Carnival of the Animals, R. 125: Finale poem being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 49 in the song's album "Peter and the Wolf". In this album, this song's track order is #41. In terms of popularity, Saint-Saëns: Carnival of the Animals, R. 125: Finale poem is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Saint-Saëns: Carnival of the Animals, R. 125: Finale poem BPM
With Saint-Saëns: Carnival of the Animals, R. 125: Finale poem by Camille Saint-Saëns, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Saint-Saëns: Carnival of the Animals, R. 125: Finale poem Key
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | |
 | Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | |
 | Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | |
 | Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | |
 | Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | |
 | 5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | |
 | 6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | |
 | Children's Album No. 1 "Pictures of Childhood": No. 1, Andantino | Aram Khachaturian, Charlene Farrugia | G Minor | 8 | 6A | 80 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9383625984191895
End: 0.9432213306427002