"Hier ist der grauenvolle Ort (Ein Maskenball)" by Vera Schwarz was released on August 27, 2006. Hier ist der grauenvolle Ort (Ein Maskenball) is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. There are a total of 69 in the song's album "Unvergessene Stimmen der Wiener Staatsoper". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Austria. Hier ist der grauenvolle Ort (Ein Maskenball) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hier ist der grauenvolle Ort (Ein Maskenball) by Vera Schwarz having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Tosca, Nur der Schönheit weiht ich mein Leben | Vera Schwarz | F♯ Major | 2 | 2B | 80 BPM | ||
La mia canzone al vento | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 120 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Chi è" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Gioachino Rossini, Maria Callas, Fritz Ollendorff, Gabriella Carturan, Luigi Alva, Nicola Zaccaria, Philharmonia Chorus, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Il bacio | Luigi Arditi, Vienna Walzer Orchestra, Sandro Cuturello | D Major | 2 | 10B | 99 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM |
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