"Le voyage dans la lune - Ballet des flocons de neige:: 1. Introduction et Les hirondelles bleues" by Jacques Offenbach, Philharmonia Orchestra, Antonio de Almeida was released on July 2, 2021. With Le voyage dans la lune - Ballet des flocons de neige:: 1. Introduction et Les hirondelles bleues being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 60 in the song's album "Offenbach". In this album, this song's track order is #47. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Le voyage dans la lune - Ballet des flocons de neige:: 1. Introduction et Les hirondelles bleues is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le voyage dans la lune - Ballet des flocons de neige:: 1. Introduction et Les hirondelles bleues by Jacques Offenbach, Philharmonia Orchestra, Antonio de Almeida having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Offenbach: Die schöne Helena (Gesamt) 1. Akt (1994 Digital Remaster): Nr. 7b: Ich bin Ajax, Held im Kriege | Jacques Offenbach, Bavarian Radio Chorus, Brigitte Fassbaender, Martin Finke, Ferry Gruber, Klaus Hirte, Benno Kusche (Bariton), Norbert Orth, Willy Mattes, Friedrich Lenz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Major | 4 | 10B | 80 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM |
Section: 0.6467404365539551
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