"Siegfried: Act I Scene 1: Zwangvolle Plage! Muh' ohne Zweck! (Mime)" by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. The duration of Siegfried: Act I Scene 1: Zwangvolle Plage! Muh' ohne Zweck! (Mime) is about 3 minutes long, at 3:04. Based on our data, "Siegfried: Act I Scene 1: Zwangvolle Plage! Muh' ohne Zweck! (Mime)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #2 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Siegfried: Act I Scene 1: Zwangvolle Plage! Muh' ohne Zweck! (Mime) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried: Act I Scene 1: Zwangvolle Plage! Muh' ohne Zweck! (Mime) by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Siegfried: Act I Scene 1: Zwangvolle Plage! Muh' ohne Zweck! (Mime) being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Carmina Burana: VI. Dance | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | C Major | 1 | 8B | 142 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Thomas: Act I: Soma, Soma … (Chorus, Thomas) | Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo | A♭ Minor | 2 | 1A | 168 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
4 Norwegian Dances, Op. 35: No. 1 in D-Minor: Allegro marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |
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