"Centripedalocity: III. Anadiplosis" by Anthony Cheung, Talea Ensemble, James Baker was released on June 10, 2016. The duration of Centripedalocity: III. Anadiplosis is about 3 minutes long, at 3:19. Based on our data, "Centripedalocity: III. Anadiplosis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 12 in Cheung: Dystemporal by Anthony Cheung, Talea Ensemble, James Baker, Susanna Mälkki. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Centripedalocity: III. Anadiplosis is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Centripedalocity: III. Anadiplosis by Anthony Cheung, Talea Ensemble, James Baker is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Roundabouts: IV. Synapse Groove | Anthony Cheung, Ueli Wiget | D♭ Major | 1 | 3B | 109 BPM | ||
Quiet Nights, Quiet Stars | Spirit LoFi | A Major | 0 | 11B | 73 BPM | ||
Youth: IX. Heath | Edmund Finnis, Clare Hammond | D♭ Minor | 0 | 12A | 83 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Enstantaneler: No. 4, Inside an empty Mosque | Cemal Reşit Rey, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | D♭ Major | 0 | 3B | 69 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Le marteau sans maître: Avant "l'Artisanat furieux" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 0 | 4A | 173 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM |
Section: 0.4929029941558838
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