"A Polish Requiem: XVI. Finale. Libera animas" by Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus was released on May 1, 1996. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Penderecki: Polish Requiem". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. A Polish Requiem: XVI. Finale. Libera animas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Polish Requiem: XVI. Finale. Libera animas by Krzysztof Penderecki, Royal Stockholm Philharmonic Orchestra, Jadwige Gadulanka, Jadwiga Rappe, Piotr Nowacki, Zachos Terzakis, Royal Stockholm Philharmonic Chorus having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 63 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM |
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