Igor Stravinsky, Chamber Music Collegium, Dobrin Petkov's 'Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto' came out on January 1, 1996. With this song being about 5 minutes long, at 4:53, "Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto" by Igor Stravinsky, Chamber Music Collegium, Dobrin Petkov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 20th Century Compositions - Orff, C. / Rachmaninov, S. / Ravel, M. / Reger, M. / Strauss, R. / Stravinsky, I. / Respighi, O. / Prokofiev, S., so we believe that "Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto" is a single. Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto by Igor Stravinsky, Chamber Music Collegium, Dobrin Petkov is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Khachaturian: Violin Concerto in D Minor: III. Allegro vivace | Aram Khachaturian, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Major | 3 | 10B | 156 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Le rossignol (The Nightingale): Scene 1 (The Forest at Dawn): Nightingale's Aria | Igor Stravinsky, Olga Trifonova, Robert Tear, Pippa Longworth, Paul Whelan, Stephen Richardson, Andrew Greenan, Sally Burgess, Peter Hall, Simon Preece, London Voices, Philharmonia Orchestra, Robert Craft | F♯ Major | 1 | 2B | 66 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM |
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