Johannes Cornago, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI made "Patres nostris peccaverunt - Johannes Cornago" available on February 8, 2010. The duration of Patres nostris peccaverunt - Johannes Cornago is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Patres nostris peccaverunt - Johannes Cornago's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 64 in the song's album "The Borgia Dynasty". In this album, this song's track order is #17. In terms of popularity, Patres nostris peccaverunt - Johannes Cornago is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Patres nostris peccaverunt - Johannes Cornago by Johannes Cornago, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamentations II for Maundy Thursday "In Coena Domini": Lectio II: No. 8, Jerusalem, Jerusalem | Giovanni Pierluigi da Palestrina, Cinquecento | E♭ Major | 0 | 5B | 85 BPM | ||
Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Miserere Nostri (Anónimo / Dufay / Himno De Vísperas) | Jordi Savall | D♭ Major | 3 | 3B | 114 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Alleluia: Tota Pulchra, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D Major | 1 | 10B | 185 BPM | ||
Dominus Vobiscum | Santum | F Minor | 0 | 4A | 134 BPM | ||
Humilitas - O Victoria | Hildegard von Bingen, Romain Dayez, Jean-Paul Dessy | G Major | 2 | 9B | 130 BPM | ||
Zimní ukolébavka | Pavel Jurkovič, Tomáš Král, Hana Blažíková, Kateřina Ghannudi, Štěpán Buchar | D Major | 2 | 10B | 109 BPM | ||
Byrd: Te lucis a 4 (Second Verse) | William Byrd, Fretwork | B♭ Major | 1 | 6B | 89 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: b. Vos fugam capietis | Carlo Gesualdo, Owain Park, The Gesualdo Six | F♯ Major | 2 | 2B | 58 BPM | ||
Sheppard: Missa Cantate - 3c. Pleni sunt caeli | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 2 | 3B | 87 BPM |
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