Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo's 'Alleluia: Tota Pulchra, Modo I' came out on December 31, 1995. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 25 in Cantate Domino, Alleluya by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Alleluia: Tota Pulchra, Modo I is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alleluia: Tota Pulchra, Modo I by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo is Presto (very, very fast), since this song has a tempo of 185 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Media vita in morte sumus: I. Media vita (Incipit) - Nunc dimittis | John Sheppard, Alamire, David Skinner | E♭ Major | 0 | 5B | 82 BPM | ||
Christi baptista | Anónimo, Egeria | A Minor | 0 | 8A | 77 BPM | ||
Antífona Cum Audisset Populus | Cantos Gregorianos | G Major | 0 | 9B | 74 BPM | ||
Del Oficio Rimado de Santa Clara, Antífona: Trahit de Testa | Pro Musica Gregoriana, Liliana Mazza | B♭ Major | 0 | 6B | 102 BPM | ||
Axion Estin - Byzantine Chant, XV C. | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 2 | 12B | 94 BPM | ||
In I Vesperis: Antiphona. Laus et perhennis | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Nicholas The Serb Cherubic Hymn | Daniel Alva | F Major | 0 | 7B | 171 BPM | ||
Omnia Dei | Soulmerge | B♭ Minor | 2 | 3A | 82 BPM | ||
12 Vespers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | E Minor | 1 | 9A | 78 BPM | ||
Sus La Naltul Ceriului | Byzantion | F Major | 3 | 7B | 128 BPM |
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