- BPM
- 119
- Key
- C Major
- Camelot
- 8B
Concerto for Flute and Harp, K. 299: I. Allegro - Wolfgang Amadeus Mozart, James Galway, Marisa Robles, Michael Tilson Thomas Information
- Acousticness
- 98%
- Danceability
- 39%
- Energy
- 12%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 29%
- Popularity
- 3%
- Loudness
- -20.361 dB
Summary
Wolfgang Amadeus Mozart, James Galway, Marisa Robles, Michael Tilson Thomas's 'Concerto for Flute and Harp, K. 299: I. Allegro' came out on 1993. Concerto for Flute and Harp, K. 299: I. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, James Galway, Michael Tilson Thomas's "James Galway Plays Mozart: K. 299 & K. 376 & K. 296" album is number 1 out of 9. In terms of popularity, Concerto for Flute and Harp, K. 299: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Concerto for Flute and Harp, K. 299: I. Allegro BPM
We consider the tempo marking of Concerto for Flute and Harp, K. 299: I. Allegro by Wolfgang Amadeus Mozart, James Galway, Marisa Robles, Michael Tilson Thomas to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Concerto for Flute and Harp, K. 299: I. Allegro Key
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | |
 | Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | |
 | Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | |
 | Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | |
 | Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | |
 | Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.762700080871582
End: 0.7680225372314453