"The Sealed Angel: III. L’istesso tempo - Sostenuto assai" by Rodion Shchedrin, Александр Голышев, Лолита Семенина, Татьяна Жданова, Aleksey Alekseyev, Владимир Минин, Московский камерный хор, Государственный академический русский хор СССР was released on January 15, 2018. Since The Sealed Angel: III. L’istesso tempo - Sostenuto assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Shchedrin: The Sealed Angel". In this album, this song's track order is #3. Based on our statistics, The Sealed Angel: III. L’istesso tempo - Sostenuto assai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sealed Angel: III. L’istesso tempo - Sostenuto assai by Rodion Shchedrin, Александр Голышев, Лолита Семенина, Татьяна Жданова, Aleksey Alekseyev, Владимир Минин, Московский камерный хор, Государственный академический русский хор СССР having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
Strauss Jr., J.: Künstlerleben, Op. 316 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | C Major | 1 | 8B | 103 BPM | ||
Diana and Actaeon: Pas de deux (Arr. March) | Riccardo Drigo, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 98 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 172 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
The Sealed Angel: I. Sostenuto assai | Rodion Shchedrin, Александр Голышев, Владимир Минин, Московский камерный хор, Государственный академический русский хор СССР | D Major | 0 | 10B | 63 BPM |
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