Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees's 'Sonata VI: I. Vivace et adagio' came out on October 6, 2022. With Sonata VI: I. Vivace et adagio being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 28 in Chédeville / Vivaldi: Il Pastor Fido by Nicolas Chédeville, Antonio Vivaldi, Jean-Pierre Van Hees, Luc Ponet, Ronan Kernoa. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Sonata VI: I. Vivace et adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata VI: I. Vivace et adagio by Nicolas Chédeville, Antonio Vivaldi, Ronan Kernoa, Luc Ponet, Jean-Pierre Van Hees is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | A Minor | 1 | 8A | 106 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Recorder Sonata No.6 in G minor from "Il pastor fido": 3. Largo | Nicolas Chédeville, Jean-Claude Veilhan, Jean Lamy, Blandine Verlet | F♯ Minor | 1 | 11A | 115 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Recorder Sonata No.2 in C major from "Il pastor fido": 2. Allegro assai | Nicolas Chédeville, Jean-Claude Veilhan, Jean Lamy, Blandine Verlet | B Major | 2 | 1B | 202 BPM | ||
Concerto in G Major, Op. 8, RV 299 "La Moisson": III. Allegro | Antonio Vivaldi, Nicolas Chédeville, Conrad Steinmann, Hopkinson Smith, Pere Ros, Monica Huggett, Claude Flagel, Johann Sonnleitner | E Major | 1 | 12B | 60 BPM | ||
Sonata in D Major, Op. 6, No. 7: II. Allegro | Tomaso Albinoni, Ensemble Barocco Sans Souci | D♭ Major | 1 | 3B | 115 BPM | ||
Airs for the Winter: Golden Rod: II. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 127 BPM |
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