Tomaso Albinoni, Ensemble Barocco Sans Souci made "Sonata in D Major, Op. 6, No. 7: II. Allegro" available on January 1, 1995. The duration of Sonata in D Major, Op. 6, No. 7: II. Allegro is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Sonata in D Major, Op. 6, No. 7: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 24 in Albinoni: Flute Sonatas Nos. 1-6 by Tomaso Albinoni, Ensemble Barocco Sans Souci. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sonata in D Major, Op. 6, No. 7: II. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata in D Major, Op. 6, No. 7: II. Allegro by Tomaso Albinoni, Ensemble Barocco Sans Souci is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 1 in A Major: III. 03 3. Andante | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 11: IV. Gigue. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 3 | 4A | 175 BPM | ||
Harpsichord Concerto in A Major: III. Giga: Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A Major | 3 | 11B | 106 BPM | ||
Suite in E Minor, RCT 2: I. Allemande | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | C Major | 0 | 8B | 92 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Ricercar in G Minor, FbWV 405, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: II. Corelli charmé de la bonne réception qu'on lui fait au Parnasse, en marque sa joye | François Couperin, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 2 | 3A | 93 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Passpied 1/2 | Cologne Chamber Orchestra | E Minor | 1 | 9A | 132 BPM |
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