Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden's 'Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: III. Allegro molto' came out on January 1, 2009. With this song being about 5 minutes long, at 5:26, "Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: III. Allegro molto" by Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 5 in Bruch: Double Concerto, Op. 88 - Canzone for Cello & Orchestra, Op. 55 - Ave Maria, Op. 61 by Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden. Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: III. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: III. Allegro molto by Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Schön Rosmarin | Fritz Kreisler, Ray Chen, Julien Quentin | G Major | 2 | 9B | 104 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Valse sentimentale, Op.51, No.6 | Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel Sanders | A Minor | 0 | 8A | 74 BPM |
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