"Salve Regina in G Minor, FP 110" by Francis Poulenc, The Sixteen, Harry Christophers was released on January 27, 2017. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 20 in Francis Poulenc: Choral Works by Francis Poulenc, The Sixteen, Harry Christophers. Based on our statistics, Salve Regina in G Minor, FP 110's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Salve Regina in G Minor, FP 110 by Francis Poulenc, The Sixteen, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 127 BPM | ||
Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
Ciaccona in G major | Alessandro Piccinini, David Miller, Harry Christophers, The Sixteen | G Major | 0 | 9B | 82 BPM | ||
Ecce beatam lucem à 40 | Alessandro Striggio, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 126 BPM | ||
Stabat Mater: Stabat Mater: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
April is in My Mistress’ Face | Thomas Morley, The Sixteen, Harry Christophers | F Minor | 1 | 4A | 132 BPM | ||
Laetatus sum (Salmo 121) RV607 | Antonio Vivaldi, Taverner Choir, Taverner Players, Andrew Parrott | F Major | 2 | 7B | 125 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM | ||
Quatre Motets pour un temps de pénitence, FP 97: I. Timor et tremor | Francis Poulenc, The Sixteen, Harry Christophers | A Minor | 2 | 8A | 59 BPM |
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