Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Teresa Wakim, Douglas Williams made "Circe: XXI. Acte Cinquième. Quoi ? vous ne serez point touché de ma douleur ?" available on May 31, 2023. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 21 out of 110. On top of that, Germany appears to be the country where this track was created. Circe: XXI. Acte Cinquième. Quoi ? vous ne serez point touché de ma douleur ? is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Circe: XXI. Acte Cinquième. Quoi ? vous ne serez point touché de ma douleur ? by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Teresa Wakim, Douglas Williams to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | ||
La canzone di Cecilia | Anonymous, Cappella Mediterranea, Leonardo García-Alarcón, Valerio Contaldo, Ana Vieira Leite, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Céphale et Procris, Prologue: Chœur. Cherchons à satisfaire les plus doux de nos vœux (Pan) | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM | ||
Vénus & Adonis, Act IV, Scene 5: No. 50, Chorus "Servons d'un dieu vangeur les haines impatientes" | Henri Desmarets, Les Talens Lyriques, Christophe Rousset, Chœur de l'Opéra national de Lorraine, Karine Deshayes, Sebastien Droy, Henk Neven, Anna Maria Panzarella, Ingrid Perruche, Jean Teitgen, Anders J. Dahlin | D Minor | 5 | 7A | 109 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Ah finisca e per sempre" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Médée, H. 491, Act I: Duo et récit. "Que de tristes soucis, malgré tous ses appas" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Véronique Gens, Cyrille Dubois | G Minor | 3 | 6A | 64 BPM | ||
Armide, LWV 71, Act II Scene 3 & 4: Plus j'observe ces lieux (Renaud, une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Cyril Auvity, Anouk Defontenay, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM |
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