Jan Dismas Zelenka, Kammerchor Stuttgart, Frieder Bernius, Barockorchester Stuttgart made "Missa Votiva, ZWV 18: Kyrie III." available on April 1, 2010. With Missa Votiva, ZWV 18: Kyrie III. being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius's "Jan Dismas Zelenka: Missa Votiva" album is number 4 out of 20. In terms of popularity, Missa Votiva, ZWV 18: Kyrie III. is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Missa Votiva, ZWV 18: Kyrie III. by Jan Dismas Zelenka, Kammerchor Stuttgart, Frieder Bernius, Barockorchester Stuttgart to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Missa Sancti Josephi, ZWV 14: No. 1 Kyrie - Christe - Kyrie | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | A♭ Minor | 1 | 1A | 93 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Missa Charitatis, ZWV 10: Et in Spiritum Sanctum | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | D♭ Major | 2 | 3B | 86 BPM | ||
Bach, JS: Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1, Aria. "Vergnügte Ruh beliebte Seelenlust" | Johann Sebastian Bach, Monica Groop, Juha Kangas, Ostrobothnian Chamber Orchestra | D Major | 1 | 10B | 75 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Missa Sancti Spiritus, ZWV 4: Qui tollis peccata mundi I | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
La Pasión según San Mateo, BWV 244: No. 8, Blute nur | Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín | B Minor | 3 | 10A | 92 BPM | ||
Missa Dolorosa: II. Gloria | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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