"Suite For Cello No.1, Op.72: Marcia: Alla marcia moderato" by Benjamin Britten, Mstislav Rostropovich was released on January 1, 2012. The duration of Suite For Cello No.1, Op.72: Marcia: Alla marcia moderato is about 3 minutes long, at 3:22. Based on our data, "Suite For Cello No.1, Op.72: Marcia: Alla marcia moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mstislav Rostropovich's "Mstislav Rostropovich - The Complete Decca Recordings" album is number 6 out of 51. The popularity of Suite For Cello No.1, Op.72: Marcia: Alla marcia moderato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite For Cello No.1, Op.72: Marcia: Alla marcia moderato by Benjamin Britten, Mstislav Rostropovich to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | F♯ Major | 1 | 2B | 145 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Canticle I: My beloved is mine, Op.40 | Francis Quarles, Benjamin Britten, Julius Drake, Ian Bostridge | B♭ Major | 0 | 6B | 76 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Brandenburg Concerto No. 6 in B flat, BWV 1051: 1. -- | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM |
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