"Adagio (Violin Concerto No 3 In G Major K216, Move" by Augustin Dumay was released on March 3, 2003. Since Adagio (Violin Concerto No 3 In G Major K216, Move is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Concertos 3-5 Etc. by Augustin Dumay. The song's track number on the album is #2 out of 27 tracks. In terms of popularity, Adagio (Violin Concerto No 3 In G Major K216, Move is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adagio (Violin Concerto No 3 In G Major K216, Move by Augustin Dumay has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Adagio (Violin Concerto No 3 In G Major K216, Move being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM | ||
Violin Sonata No. 3, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Augustin Dumay, Maria João Pires | A Major | 5 | 11B | 83 BPM | ||
Violin Sonata in A Major: IV. Allegretto poco mosso | César Franck, Augustin Dumay, Louis Lortie | B♭ Major | 1 | 6B | 61 BPM | ||
Soirées de Vienne, S. 427: No. 6, Allegro con strepito (After F. Schubert) - First version | Franz Liszt, Evgeny Kissin | A Major | 1 | 11B | 106 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Cello Concertino No. 2 in G Major, Op. 41: II. Andante | Julius Klengel, Martin Rummel, Mari Kato | B Minor | 1 | 10A | 88 BPM | ||
Suite No.2 For 2 Pianos, Op.17: 3. Romance (Andantino) | Sergei Rachmaninoff, Martha Argerich, Nelson Freire | A♭ Major | 0 | 4B | 78 BPM | ||
Sonata for Violin and Piano in G Minor, L. 140: III. Finale (Très animé) | Claude Debussy, Augustin Dumay, Maria João Pires | G Major | 2 | 9B | 104 BPM |
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