"Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1" by Franz Schubert, Gewandhausorchester, Kurt Masur was released on August 7, 1985. Since Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Schubert: Rosamunde". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 1 by Franz Schubert, Gewandhausorchester, Kurt Masur having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trout Quintet: Finale | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
From Holberg's Time, Op. 40: III. Gavotte: Allegretto - Musette: Un poco mosso - Gavotte | Edvard Grieg, Moscow Soloists, Yuri Bashmet | E♭ Major | 2 | 5B | 74 BPM | ||
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Le siège de Corinthe: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 98 BPM | ||
Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
The Enchanted Lake, Op.62 | Anatoly Lyadov, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 0 | 11B | 80 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 4b. Finale - Allegro maestoso assai | Felix Mendelssohn, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 4 | 11B | 105 BPM |
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