Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit made "Pimpinone, TWV 21:15, Pt. 2: Nei brevi momenti" available on May 6, 2022. With Pimpinone, TWV 21:15, Pt. 2: Nei brevi momenti being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Telemann: Pimpinone, TWV 21:15". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Based on our statistics, Pimpinone, TWV 21:15, Pt. 2: Nei brevi momenti's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Pimpinone, TWV 21:15, Pt. 2: Nei brevi momenti by Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Musique de table, Part III: Oboe Sonata in G Minor, TWV 41:g6: II. Presto: Tempo giusto | Georg Philipp Telemann, Heather Foxwell, Orchestra of the Golden Age | G Major | 0 | 9B | 119 BPM | ||
Telemann: Quintet for 2 Horns, 2 Violins and Continuo in F Major, TWV 44:7: IV. Menuet | Georg Philipp Telemann, Nikolaus Harnoncourt, Hermann Rohrer, Horst Fischer, Concentus Musicus Wien | D Major | 9 | 10B | 110 BPM | ||
Ouverture in B Minor: IV. Menuet | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 0 | 3B | 179 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM |
Section: 0.6910834312438965
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