"Concierto No. 1 in E Major, Op. 8, la primavera: II. Largo" by Münchner Symphoniker, Wilhem Hertz was released on June 13, 1970. The duration of Concierto No. 1 in E Major, Op. 8, la primavera: II. Largo is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Concierto No. 1 in E Major, Op. 8, la primavera: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Las cuatro estaciones by Münchner Symphoniker, Wilhem Hertz. The song's track number on the album is #2 out of 12 tracks. Concierto No. 1 in E Major, Op. 8, la primavera: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concierto No. 1 in E Major, Op. 8, la primavera: II. Largo by Münchner Symphoniker, Wilhem Hertz has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concierto No. 1 in E Major, Op. 8, la primavera: II. Largo being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Holberg Suite, Op. 40: I. Praeludium (Allegro vivace) | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | G Major | 1 | 9B | 144 BPM | ||
Messe solennelle de Sainte Cecile: Kyrie | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | G Major | 1 | 9B | 66 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Bruckner: Mass No. 3 in F Minor: Benedictus (Live at Philharmonie am Gasteig, Munich, 1990) | Anton Bruckner, Sergiu Celibidache, Margaret Price, Doris Soffel, Peter Straka, Matthias Hölle, Philharmonischer Chor München, Munich Philharmonic Orchestra | F♯ Minor | 0 | 11A | 118 BPM | ||
Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Margaret Price, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | F Major | 1 | 7B | 66 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vd. Dies Irae et Ronde du Sabbat ensemble | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache, Valery Gergiev | C Major | 7 | 8B | 136 BPM | ||
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 0 | 9B | 55 BPM | ||
Fauré: Requiem, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Margaret Price, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | F Major | 1 | 7B | 66 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Smetana: The Bartered Bride: Overture | Bedřich Smetana, Rudolf Kempe, Royal Philharmonic Orchestra | F Major | 2 | 7B | 124 BPM |
Section: 0.8044028282165527
End: 0.8074398040771484