"Berlioz: Symphonie fantastique, H. 48: Vd. Dies Irae et Ronde du Sabbat ensemble" by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache, Valery Gergiev was released on May 27, 2020. The duration of Berlioz: Symphonie fantastique, H. 48: Vd. Dies Irae et Ronde du Sabbat ensemble is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Berlioz: Symphonie fantastique, H. 48: Vd. Dies Irae et Ronde du Sabbat ensemble's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 8 in Berlioz: Symphonie fantastique, H.48, Op. 14 by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache. Based on our statistics, Berlioz: Symphonie fantastique, H. 48: Vd. Dies Irae et Ronde du Sabbat ensemble's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Symphonie fantastique, H. 48: Vd. Dies Irae et Ronde du Sabbat ensemble by Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache, Valery Gergiev is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
La Damnation de Faust, Op. 24, H 111 / Pt. 2: Ballet des Sylphes | Hector Berlioz, Kenneth Riegel, José van Dam, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 0 | 9B | 143 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin | D♭ Major | 1 | 3B | 118 BPM | ||
The Damnation of Faust, Op. 24, H. 111: Choeur de gnomes et de sylphes - Songe de Faust 'Dors! heureux Faust' - Live | Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin | D♭ Major | 1 | 3B | 118 BPM |
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