"The Damnation of Faust, Op. 24, H. 111: Choeur de gnomes et de sylphes - Songe de Faust 'Dors! heureux Faust' - Live" by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin was released on February 2, 2024. Since The Damnation of Faust, Op. 24, H. 111: Choeur de gnomes et de sylphes - Songe de Faust 'Dors! heureux Faust' - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 36 in Berlioz: The Damnation of Faust (Live) by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, London Symphony Chorus, Karen Cargill, John Irvin, Christopher Purves, Jonathan Lemalu. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Damnation of Faust, Op. 24, H. 111: Choeur de gnomes et de sylphes - Songe de Faust 'Dors! heureux Faust' - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Damnation of Faust, Op. 24, H. 111: Choeur de gnomes et de sylphes - Songe de Faust 'Dors! heureux Faust' - Live by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM |
Section: 0.633188009262085
End: 0.6368744373321533