Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra's 'Grieg: Holberg Suite, Op. 40: I. Praeludium (Allegro vivace)' came out on April 17, 2006. The duration of Grieg: Holberg Suite, Op. 40: I. Praeludium (Allegro vivace) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Grieg: Holberg Suite, Op. 40: I. Praeludium (Allegro vivace)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Paavo Järvi's "Grieg: Norwegian Dances" album is number 11 out of 15. Based on our statistics, Grieg: Holberg Suite, Op. 40: I. Praeludium (Allegro vivace)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Holberg Suite, Op. 40: I. Praeludium (Allegro vivace) by Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Netherlands Philharmonic Orchestra, Yakov Kreizberg | G Minor | 0 | 6A | 104 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Lohengrin, WWV 75: Prelude to Act I - Live | Richard Wagner, Gewandhausorchester, Andris Nelsons | A Major | 1 | 11B | 72 BPM | ||
Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato | Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | A Minor | 1 | 8A | 92 BPM | ||
Aria (Air on the G-String) | Johann Sebastian Bach, Leopold Stokowski | D Major | 1 | 10B | 47 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM |
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