"Symphony No. 99 in E-Flat Major, Hob. I:99: I. Adagio - Vivace assai" by Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis was released on June 30, 2014. Since Symphony No. 99 in E-Flat Major, Hob. I:99: I. Adagio - Vivace assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis's "Haydn: Symphonies Nos. 92, 93, & 97-99" album is number 5 out of 20. Symphony No. 99 in E-Flat Major, Hob. I:99: I. Adagio - Vivace assai is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 99 in E-Flat Major, Hob. I:99: I. Adagio - Vivace assai by Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Violin Concerto No. 9 in G Major, Op. 8: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Takako Nishizaki, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 1 | 9B | 127 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Concerto in D Major, RV 90, "Il gardellino": II. Largo | Antonio Vivaldi, Béla Drahos, Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 90 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester Leipzig, Kurt Masur | E Major | 2 | 12B | 81 BPM |
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