Alessandro Stradella, Graham Ashton/Irish Chamber Orchestra/Ian Watson, Ian Watson, Irish Chamber Orchestra made "Stradella: Il Barcheggio: Sinfonia avanti il Barcheggio, 1. Spiritosa e staccata" available on 2002. With Stradella: Il Barcheggio: Sinfonia avanti il Barcheggio, 1. Spiritosa e staccata being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 37 in Baroque Concertos & Sonatas for Trumpet by Graham Ashton, Ian Watson, Irish Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Stradella: Il Barcheggio: Sinfonia avanti il Barcheggio, 1. Spiritosa e staccata is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Stradella: Il Barcheggio: Sinfonia avanti il Barcheggio, 1. Spiritosa e staccata by Alessandro Stradella, Graham Ashton/Irish Chamber Orchestra/Ian Watson, Ian Watson, Irish Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Amanti, olà, olà, Accademia d'Amore: Sinfonia [Allegro] - Amanti, olà, olà - Hor non fia chi pavent - D'amore all'invito - Ritornello - Chi rese delirante | Alessandro Stradella, Les Arts Florissants, William Christie, Lucía Martín-Cartón, Carlo Vistoli, Renato Dolcini, Lea Desandre, Nicholas Scott, John Taylor Ward | F♯ Major | 2 | 2B | 173 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
Sinfonia a Tre No. 2 in B-Flat Major | Alessandro Stradella, Ensemble Giardino di Delizie, Augustynowicz Ewa Anna | A♭ Major | 3 | 4B | 77 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM |
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