"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation X: French Horns (Il stesso tempo)" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation X: French Horns (Il stesso tempo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 29 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation X: French Horns (Il stesso tempo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation X: French Horns (Il stesso tempo) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35: The Battle with the Sheep: Variation II | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | A Major | 2 | 11B | 126 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Major | 3 | 9B | 78 BPM | ||
L'Oiseau de feu, K010: VI. - VII. Supplications de l’oiseau de feu - Apparition des treize princesses enchantées | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Major | 0 | 9B | 78 BPM | ||
Bilder einer Ausstellung: Cum mortuis in lingua mortua | Modest Mussorgsky, Karl Anton Rickenbacher | B Major | 0 | 1B | 63 BPM | ||
Don Quixote, Op. 35: The Knight's Vigil - Variation V | Richard Strauss, Fritz Reiner | G Major | 2 | 9B | 88 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | A Minor | 3 | 8A | 125 BPM | ||
Avant-dernières penseés: II. Aubade | Erik Satie, Philippe Entremont | G Major | 1 | 9B | 133 BPM | ||
Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 87 BPM | ||
Peter and the Wolf, Op. 67: Peter Catches the Wolf | David Bowie, Eugene Ormandy | A Minor | 2 | 8A | 123 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM |
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