Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin's '3 Latin American Sketches: No. 1, Estribillo' came out on June 9, 2017. The duration of 3 Latin American Sketches: No. 1, Estribillo is about 3 minutes long, at 3:06. Based on our data, "3 Latin American Sketches: No. 1, Estribillo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 7 in Copland: Symphony No. 3 & 3 Latin American Sketches by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin. 3 Latin American Sketches: No. 1, Estribillo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Latin American Sketches: No. 1, Estribillo by Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 83 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 3 | 8B | 85 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Eclogue, Op. 10 | Gerald Finzi, Peter Donohoe, Royal Northern Sinfonia, Howard Griffiths | F Minor | 1 | 4A | 72 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, London Symphony Orchestra | A Major | 0 | 11B | 67 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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