Life and Works of Mozart: Concerto in C for Flute and Harp, K.299
Nicholas Boulton, Jeremy Siepmann
Life and Works: Mozart
9:38 July 30, 2002
BPM
88
Key
C Major
Camelot
8B

Embed

Share Link

Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 - Nicholas Boulton, Jeremy Siepmann Information

Acousticness
98%
Danceability
54%
Energy
13%
Instrumentalness
90%
Liveness
11%
Loudness
65%
Speechiness
5%
Valence
40%
Popularity
Loudness
-20.781 dB

Summary

Nicholas Boulton, Jeremy Siepmann made "Life and Works of Mozart: Concerto in C for Flute and Harp, K.299" available on July 30, 2002. Since Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Nicholas Boulton's "Life and Works: Mozart" album is number 2 out of 65. Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 BPM

We consider the tempo marking of Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 by Nicholas Boulton, Jeremy Siepmann to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
String Quartet N 20 Mov 1 Mazurka Version 2 by Luca SchettinoString Quartet N 20 Mov 1 Mazurka Version 2Luca SchettinoC Minor25A150 BPM
Notturno by Halfdan Kjerulf, G. Zanger, Kerava QuartetNotturnoHalfdan Kjerulf, G. Zanger, Kerava QuartetC Major08B70 BPM
Bagatelle No. 3 for String Quartet: Semplice E Languido by Jordan ZhuBagatelle No. 3 for String Quartet: Semplice E LanguidoJordan ZhuA Minor48A124 BPM
Clarinet Concerto in A: Third Movement by Various ArtistsClarinet Concerto in A: Third MovementVarious ArtistsG Minor26A137 BPM
Julie, S. 1: Finale by Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario SalviJulie, S. 1: FinaleDaniel Auber, Czech Philharmonic Chamber Orchestra, Dario SalviD♭ Major13B102 BPM
3. Geburt und Kindheit by Leopold Mozart, Wolfgang Amadeus Mozart, Will Quadflieg, Bach-Orchester Berlin, Carl Gorvin, Karl Steins, Karl Leister, Gerd Seifert, Günter Piesk, Berliner Philharmoniker, Karl Böhm3. Geburt und KindheitLeopold Mozart, Wolfgang Amadeus Mozart, Will Quadflieg, Bach-Orchester Berlin, Carl Gorvin, Karl Steins, Karl Leister, Gerd Seifert, Günter Piesk, Berliner Philharmoniker, Karl BöhmC Major18B103 BPM
Amadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons) by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingAmadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons)Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingD Major110B0 BPM
Violine 1: Christina Neubauer, Violine 2: Barbara Wurnitsch, Bratsche: Margarete Bruckner, Violoncello: Eva Landkammer, Kontrabass: Martin Peroutka by Marko SimsaVioline 1: Christina Neubauer, Violine 2: Barbara Wurnitsch, Bratsche: Margarete Bruckner, Violoncello: Eva Landkammer, Kontrabass: Martin PeroutkaMarko SimsaC Major18B78 BPM
Messa di Gloria: III. Laudamus by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazMessa di Gloria: III. LaudamusGiacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazD Major110B89 BPM
String Quartet No. 11, Op. 122: I. Introduction. Andantino by Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto NoûsString Quartet No. 11, Op. 122: I. Introduction. AndantinoDmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto NoûsA Major111B122 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6600661277770996

End: 0.6638379096984863