Nicholas Boulton, Jeremy Siepmann made "Life and Works of Mozart: Concerto in C for Flute and Harp, K.299" available on July 30, 2002. Since Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Nicholas Boulton's "Life and Works: Mozart" album is number 2 out of 65. Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Life and Works of Mozart: Concerto in C for Flute and Harp, K.299 by Nicholas Boulton, Jeremy Siepmann to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet N 20 Mov 1 Mazurka Version 2 | Luca Schettino | C Minor | 2 | 5A | 150 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Bagatelle No. 3 for String Quartet: Semplice E Languido | Jordan Zhu | A Minor | 4 | 8A | 124 BPM | ||
Clarinet Concerto in A: Third Movement | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Julie, S. 1: Finale | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D♭ Major | 1 | 3B | 102 BPM | ||
3. Geburt und Kindheit | Leopold Mozart, Wolfgang Amadeus Mozart, Will Quadflieg, Bach-Orchester Berlin, Carl Gorvin, Karl Steins, Karl Leister, Gerd Seifert, Günter Piesk, Berliner Philharmoniker, Karl Böhm | C Major | 1 | 8B | 103 BPM | ||
Amadis de Gaule, W. G39: Act I Scene VII: Komm zu uns, geniesse Amors Zauber (Chorus of Demons) | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 1 | 10B | 0 BPM | ||
Violine 1: Christina Neubauer, Violine 2: Barbara Wurnitsch, Bratsche: Margarete Bruckner, Violoncello: Eva Landkammer, Kontrabass: Martin Peroutka | Marko Simsa | C Major | 1 | 8B | 78 BPM | ||
Messa di Gloria: III. Laudamus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 89 BPM | ||
String Quartet No. 11, Op. 122: I. Introduction. Andantino | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM |
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