On November 1, 2013, the song "Violin Concerto in A Major, Op. 3, No. 8: III. Presto" was released by Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L'. With Violin Concerto in A Major, Op. 3, No. 8: III. Presto being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tessarini: 10 Concerti a piu istrumenti". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Italy. Violin Concerto in A Major, Op. 3, No. 8: III. Presto is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Violin Concerto in A Major, Op. 3, No. 8: III. Presto by Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in D Major: III. Finale: vivace | Joseph Haydn, Alberto Lizzio, Bamberger Kammerorchester | F Major | 0 | 7B | 67 BPM | ||
Concerto a cinque in D Major, Op. 1 No. 4: III. Allegro | Carlo Tessarini, Compagnia de' Musici | D Major | 2 | 10B | 76 BPM | ||
Symphony No. 4 in A Major, Wq. 182: III. Allegro assai | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | A♭ Major | 2 | 4B | 125 BPM | ||
Symphony in A Major, Op. 2 No. 2 "Birthday Ode": III. Presto - allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 90 BPM | ||
Violin Concerto in G Major, Op. 3, No. 9: I. Allegro | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 2 | 10B | 115 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Polonaise | Cologne Chamber Orchestra | A Minor | 0 | 8A | 95 BPM | ||
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Sinfonia No. 1 in re maggiore (Il martirio di San Tenrenziano): III. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 3 | 7B | 128 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM |
Section: 0.5762627124786377
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