"The Creation - Alternate Take Segments" by Franz Waxman was released on October 8, 2019. The duration of The Creation - Alternate Take Segments is about 3 minutes long, at 3:04. Based on our data, "The Creation - Alternate Take Segments" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Bride Of Frankenstein (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. The popularity of The Creation - Alternate Take Segments is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Creation - Alternate Take Segments by Franz Waxman having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
Laurel and Owens | John Scott | C Major | 0 | 8B | 50 BPM | ||
Concerto For Lute And Plucked Strings I. Moderato | Siefried Behrend & DZO Chamber Orchestra | C Major | 3 | 8B | 123 BPM | ||
Sammy and Rosie Get Laid | Stanley Myers | B♭ Major | 3 | 6B | 181 BPM | ||
Swimming Scene | Franz Waxman | E Major | 0 | 12B | 68 BPM | ||
Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | D♭ Major | 1 | 3B | 116 BPM | ||
Medley: Paris Montage | The Warner Bros. Studio Orchestra | D♭ Major | 4 | 3B | 88 BPM | ||
Venge-moi (Cavalleria rusticana - Intermezzo) | Philippe Sarde | F Major | 1 | 7B | 82 BPM | ||
The Gadfly, Op. 97 (Reconstructed by M. Fitz-Gerald): Overture | Dmitri Shostakovich, Deutsche Staatsphilharmonie Rheinland-Pfalz, Mark Fitz-Gerald | C Minor | 3 | 5A | 117 BPM | ||
The Easy Winners | New England Conservatory Ragtime Ensemble | A Major | 4 | 11B | 189 BPM |
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