"Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack" by Richard Rodney Bennett was released on January 1, 1974. Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Richard Rodney Bennett's "Murder On The Orient Express" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack by Richard Rodney Bennett to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise | Sergei Rachmaninoff, London Cello Orchestra | E Minor | 1 | 9A | 89 BPM | ||
Moon language | Miljan Minic, Smooth Windy Times | C Minor | 0 | 5A | 100 BPM | ||
Arlen: I Had Myself A True Love (from "St. Louis Woman", arr. Rodney Bennett) | Harold Arlen, Richard Rodney Bennett | D Major | 3 | 10B | 147 BPM | ||
Alice Escapes | Guy Farley | C Major | 2 | 8B | 173 BPM | ||
Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile | Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 86 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: I. Theme. Moderato | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | E Major | 1 | 12B | 86 BPM | ||
Bram Stoker's Dracula: Mina / Elizabeth | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 0 | 9A | 145 BPM | ||
Desplat: The Shape of Water: II. Watching Ruth | Alexandre Desplat, Emmanuel Pahud, Myriam Lafargue, Orchestre National De France | D Minor | 1 | 7A | 89 BPM | ||
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
Canzone, Op. 38a | Richard Rodney Bennett, Edith van Dyck, Helene Luyten | A Major | 1 | 11B | 86 BPM |
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