"Kindertotenlieder" by Kathleen Ferrier, Bruno Walter, Vienna Philharmonic Orchestra was released on November 8, 2011. With this song being about 5 minutes long, at 4:49, "Kindertotenlieder" by Kathleen Ferrier, Bruno Walter, Vienna Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kathleen Ferrier's "Kathleen Ferrier sings Lieder" album is number 1 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, Kindertotenlieder is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kindertotenlieder by Kathleen Ferrier, Bruno Walter, Vienna Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir, BWV 508 (Arr. for Voice & Piano) | Johann Sebastian Bach, Kathleen Ferrier, John Newmark | B♭ Major | 2 | 6B | 100 BPM | ||
Orpheus and Eurydice - What is life without thee' | Kathleen Ferrier | C Major | 2 | 8B | 110 BPM | ||
Suor Angelica: Senza Mamma | Giacomo Puccini, Miriam Gauci, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | G Major | 3 | 9B | 92 BPM | ||
Wesendonck Lieder, WWV 91: Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
Miserere in F Minor: Asperges me hyssopo (Soprano) | Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci | C Major | 1 | 8B | 117 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: V. Au cimetière, H 86b | Hector Berlioz, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | F Major | 0 | 7B | 88 BPM | ||
La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Per la gloria d'adorarvi | Giovanni Bononcini, Ramón Vargas | A Major | 2 | 11B | 112 BPM |
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