Johann Sebastian Bach, Karl Forster, Fritz Wunderlich, Karl Christian Kohn, Berliner Symphoniker made "Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21e, Rezitativ. "Pilatus sprach zu ihnen"" available on January 1, 1962. With Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21e, Rezitativ. "Pilatus sprach zu ihnen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 68 in Bach: Johannes-Passion, BWV 245 by Johann Sebastian Bach, Karl Forster, Berliner Symphoniker, Dietrich Fischer-Dieskau, Christa Ludwig, Fritz Wunderlich, Elisabeth Grümmer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21e, Rezitativ. "Pilatus sprach zu ihnen" is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21e, Rezitativ. "Pilatus sprach zu ihnen" by Johann Sebastian Bach, Karl Forster, Fritz Wunderlich, Karl Christian Kohn, Berliner Symphoniker is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: II. Loure | Johann Sebastian Bach, Hilary Hahn | D♭ Minor | 1 | 12A | 133 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |
Section: 0.63773512840271
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