"Nun Komm Der Heiden Heiland, BWV 659 (Arr. W. Kempff): Nun Komm Der Heiden Heiland, BWV 659a (Trans. W. Kempff)" by Johann Sebastian Bach, Idil Biret, Wilhelm Kempff was released on May 20, 1992. With this song being about 5 minutes long, at 4:50, "Nun Komm Der Heiden Heiland, BWV 659 (Arr. W. Kempff): Nun Komm Der Heiden Heiland, BWV 659a (Trans. W. Kempff)" by Johann Sebastian Bach, Idil Biret, Wilhelm Kempff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wilhelm Kempff: Italian Suite, Op. 68 / Piano Sonata, Op. 47 / Transcriptions by Johann Sebastian Bach. The song's track number on the album is #1 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Nun Komm Der Heiden Heiland, BWV 659 (Arr. W. Kempff): Nun Komm Der Heiden Heiland, BWV 659a (Trans. W. Kempff) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Nun Komm Der Heiden Heiland, BWV 659 (Arr. W. Kempff): Nun Komm Der Heiden Heiland, BWV 659a (Trans. W. Kempff) by Johann Sebastian Bach, Idil Biret, Wilhelm Kempff has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nun Komm Der Heiden Heiland, BWV 659 (Arr. W. Kempff): Nun Komm Der Heiden Heiland, BWV 659a (Trans. W. Kempff) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Chorale | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 1 | 10B | 91 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Violin Concerto in E Major, BWV 1042: I. Allegro | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 2 | 12B | 183 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM |
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