"Cherubini: Medea, Act 2: "Date almen per pieta" (Medea, Creonte, Neris, Chorus)" by Luigi Cherubini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 1958. Since Cherubini: Medea, Act 2: "Date almen per pieta" (Medea, Creonte, Neris, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 29 in Cherubini: Medea (1957 - Serafin) - Callas Remastered by Luigi Cherubini, Maria Callas. Based on our statistics, Cherubini: Medea, Act 2: "Date almen per pieta" (Medea, Creonte, Neris, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cherubini: Medea, Act 2: "Date almen per pieta" (Medea, Creonte, Neris, Chorus) by Luigi Cherubini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
Requiem C-Moll: 4. Dies irae | Luigi Cherubini, Akiho Tsujii, Martin Lattke, Paul Kroeger, Kammerchor der Frauenkirche, Philharmonisches Orchestra Altenburg Gera, Matthias Grünert | B♭ Major | 1 | 6B | 115 BPM | ||
Nacht und Traume, D. 827 | Franz Schubert, Brigitte Geller, Ulrich Eisenlohr | E♭ Major | 1 | 5B | 102 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Francis Bardot, Maîtrise des Hauts-de-Seine, Ensemble National Français, Odile Perceau | C Minor | 0 | 5A | 83 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Missa Sancti Josephi, ZWV 14: No. 3 Et in terra pax | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Jonathan Sells, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 2 | 10A | 89 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM |
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